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They suggest something had gone wrong, that reality has been knocked off its axis. The Dutch Angle (really, the Deutsche Angle, before being German became problematic) was a way of turning vertical and horizontal lines in a scene into diagonals. (Warm, Reimann, and Rohring had worked on, and continued to work as set designers/art directors for many films at that time, but most are lost or destroyed.) Germany being cut off from the Hollywood film industry at the time had led to this strange new direction, but once Hitler rose to power, many artists came to Hollywood, and expressionist techniques infected Hollywood.

They look like the paintings of Ernst Ludwig Kirchner or Fritz Bleyl, but denuded of color.

Three expressionist painters, Hermann Warm, Walter Reimann, and Walter Rohrig designed the crooked, bizarre, and nightmarish sets for that film.

#VOYNICH MANUSCRIPT PDF HIGH RESOLUTION SERIES#

His projects include the Substack newsletter Books on Cities, the bookВ The Stateless City: a Walk through 21st-Century Los Angeles and the video series The City in Cinema.

#VOYNICH MANUSCRIPT PDF HIGH RESOLUTION HOW TO#

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